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Roman Candle Presents Nicole Atkins with Jim Sclavunos

Roman Candle is thrilled to welcome Nicole Atkins with Jim Sclavunos and special guest Toria Wooff to St Mary's Creative Space, Chester on Sunday 11th June.

 

Tickets £20 advance from Grey N Pink Records or See Tickets.

NICOLE ATKINS AND JIM SCLAVUNOS

A study in contrasts, Nicole Atkins and Jim Sclavunos make music that is a perfect synthesis of their eclectic tastes and backgrounds. With up-tempo kraut-rock grooves sitting alongside deconstructed sambas, space-rock confessionals and wistful ballads – the pair’s songs evoke thumbnail intimacies in vast empty spaces. “I think our music sounds like heavy ancient books thrown down to the gutter by gods during a hurricane in slow motion,” declares Atkins. “Or psychedelic folk tunes written by lonely Martians,” counters Sclavunos.

Debuting at SXSW in 2019 and invited to play at Willie Nelson’s Luck Reunion festival that same year, both singers also enjoyed unique, distinguished musical careers of their own before they began collaborating.

Starting out in NY’s infamous No Wave scene playing bass with Teenage Jesus & The Jerks in 1978, Jim Sclavunos carved out a distinctive reputation for himself as a drummer, recording with Sonic Youth and The Cramps before joining Nick Cave & The Bad Seeds in 1994, and co-founding Grinderman in addition to his solo project The Vanity Set. An in-demand producer (The Horrors, Gogol Bordello, Beth Orton) and remixer (Depeche Mode, Grinderman), he also hosts his own monthly show on London’s Soho Radio.

Nicole Atkins’ 2007 debut album Neptune City introduced the world to a charismatic performer and writer with a powerful, versatile voice of dramatic subtlety. A unique arranger, Atkins’s critically acclaimed albums Mondo Amore (2011), Slow Phaser (2014), Goodnight Rhonda Lee (2017) and her latest, Italian Ice (2020) recorded at the legendary Muscle Shoals Sound with members of the Swampers, Bad Seeds, Dap Kings and Spoon, have established her as a genre-bending artist with a penchant for noir-ish sensuality.

Nicole has hosted shows for Sirius XM and the pioneering Amazon Music/Twitch tv series “Live from the Steel Porch”.

Following a chance encounter at a benefit, Atkins and Sclavunos began writing songs together in London. Despite having barely just met, the duo dove in full tilt with only a Casio keyboard and an acoustic guitar and within an hour flat completed their first co-write “Gold Was My Baby”. Reconvening their endeavors on the other side of the pond in Harlem -- this time with a battered upright piano and an unruly guitar (and an even more unruly cat) -- the songs poured out fast and furious. In a matter of days, songs for the duet album took shape before their eyes. Against the freewheeling backdrop of their music, Nicole and Jim’s lyrics address the thorny emotional conflicts and complexities in relationships, the interplay of their voices infusing their songs with depth and humour. “I’m kind of like Nicole’s Darth Vader,” offers Sclavunos. “And I’m his Yoda,” affirms Atkins.

TORIA WOOFF

Awash in a haze of burnt orange and golden browns, Toria Wooff’s world is a colourful palette of opposing plains. A painter, poet, songwriter and storyteller, her songs are steeped in gothic romanticism, pagan and Germanic tradition, enchanted by an alchemy of ‘70s sound and vision where she magically blends the raw power of Led Zeppelin with Alice Cooper’s raven hues to forge her own spellbinding folk-rock concoction. 

In an age when punk politics’ grey skies can overwhelm, Toria Wooff’s own darkness offers unexpected solace and leaves an equally poignant mark. Fuelled by the thunder of individual spirit and a beating wild heart, her debut EP Badlands shone a light through sorrow’s cracks whilst extending a withered autumnal branch between stormy skies and solstice aligning her with Mother Nature’s tour de force. “I’m proud to be a young woman who sings and writes songs, and don’t apologise for being drawn to the gloomier things in life,” she says.

 

With the sonic rabbit hole well and truly open, Toria encountered Joan Baez, Crosby Stills and Nash, Pink Floyd, and Townes Van Zandt. Her roots entwined to the windswept valleys of Lancashire, the rural setting provided a fitting backdrop to the music as she began to sense a connection with the Celtic and Gaelic folklore of her mother’s Scottish heritage. Making past times strangely present with pagan-like spirituality, Toria’s melancholic bite lies between the pages of gothic literature and historical texts. 

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