Roman Candle Presents John Smith
Sunday 3rd November, 7.30pm.
Roman Candle is delighted to welcome John Smith back to St Mary's Creative Space, Chester. Special guest The Magpies.
Sunday 3rd November, 7.30PM. Tickets £15 advance from Grey n Pink Records or SEE Tickets.
“The future of Folk Music” – John Renbourn
Essex-born John Smith has built a reputation as one of the UK’s finest guitarists and songwriters. Raised by the Devon seaside and making his bones in the bars and clubs of Liverpool, John has released five albums with over 10 million Spotify streams. He has played to audiences all over the world in living rooms, festival tents and sold-out concert halls. He is a genuine folksinger, an inquisitive truth-seeker, devoted song interpreter, and enchanting writer.
Steeped in the lineage of British folk, taking his cue from Richard Thompson and John Martyn, Smith has evolved a transatlantic blend of fingerstyle and slide guitar techniques. John’s intimate takes on love, loss and the journey we make, combined with his innovative guitar work, have won him a loyal following. His honey-on-gravel voice and mesmerizing fingerstyle guitar are undeniable. Sometimes using a slide, sometimes with guitar on his lap, sometimes detuning mid-song, Smith’s obsession with the instrument has made a master of him. Whether by way of album or concert, he leads the listener, enthralled in his presence, on a viscerally emotional journey.
A contributor and collaborator, John quickly and effortlessly earns the esteem of his comrades and heroes. He has opened for folk greats including John Martyn, Davy Graham and John Renbourn, who called John Smith “the future of folk music.” On the contemporary side, he has also opened for Iron and Wine, Tinariwen, and Ben Howard. He has guested with artists such as Jackson Browne, Martin Carthy, Richard Hawley, *Jarvis Cocker*, Jerry Douglas, Glen Hansard and Rodney Crowell; and in his occasional role as sideman, he has played guitar for artists such as David Gray, Lisa Hannigan, Lianne La Havas, Joe Henry and Joan Baez.
He has released five records - his most recent “Headlong” (2017) reached #15 in the Indie Breakers chart, #1 on iTunes’ Singer-Songwriter chart, and amassed over 10 million Spotify streams.
His forthcoming album “Hummingbird” will be released 5 October in Europe and in early 2019 in the rest of the world on his own imprint, Commoner Records, via Thirty Tigers worldwide.
John Smith's inspiration for making "Hummingbird" was deeply personal. An album he has long wished to make, "Hummingbird" reflects the sum of his influences - be they centuries, decades, years, or days old.
The traditional songs on the album originate as far back as the 15th Century, and yet the record is surprisingly current, revealing the affirming consistency of the human condition. In the course of 10 songs, John explores timeless themes of longing, love, loss, horror, tragedy, grief, resilience, desire, devotion, heroism, romance, dignity, and ultimate triumph.
John has formed a relationship with the songs over the course of his entire life - some from childhood ("Lord Franklin") and some from over a decade touring ("Willy Moore" and "Time Has Come"). The album reflects the role his influences have played in his own songwriting, selecting and interpreting. Artists including John Renbourn, Davy Graham, Martin Carthy, Norma Waterson, Nic Jones, Joan Baez, Wizz Jones, John Martyn, Danny Thompson, Martin Simpson, and Paul Brady.
"I wanted to get away from any sense of artifice and dressing it up. The thing that really appealed to me about recording this album was the idea that I could just sit with a guitar and record something that reflects everything I've learned in all my years of touring and that will also affect people in ways I can't predict. I wanted to remove the obstacles that often interfere and come between artist and audience; it feels like the right thing to do for these songs. Not a lot of people do that anymore - but those are the records I really love. Albums from the 60s and 70s when folk recordings were made concisely and the focus was to get your point across." - John Smith
Living with the traditional songs on "Hummingbird" are new original songs penned by Smith ("Hummingbird," "Boudica," and "Axe Mountain (Revisited)") - which stand up alongside the others as evidence of the power of his influences and personal history on his present creativity.
Produced by Sam Lakeman and recorded at his Somerset studio, "Hummingbird" features Cara Dillon, John McCusker and Ben Nicholls.
“You’re smiling even as tears catch in your throat.” - MOJO
“He’s a magician.” - Ben Howard
“Spellbinding.” - Time Out
“the guitarists’ guitarist.” - The Sunday Times
“Staggeringly good.” - Acoustic Magazine
The Magpies formed in their hometown of York in the autumn of 2017. Initially a duo project between Bella Gaffney and Polly Bolton, 2018 saw the lineup expand to a quartet, with the original pair joining forces with acclaimed cellist Sarah Smout and fiddle ace Holly Brandon.
Based on a deeply felt musical friendship, they work collaboratively, arranging material led by powerful vocals and glittering instrumental ornamentation. They each draw on their transatlantic influences to create a unique blend of Celtic and bluegrass folk, transporting audiences to distant lands and capturing imaginations with their enthralling live show.
Over the summer they were exceptionally well received, performing at festivals such as Cambridge Folk Festival, main stage at Wickham Festival, Towersey Festival, Deer Shed Festival, Grassington and a sold out EP release show at The Great Yorkshire Fringe. The first transatlantic trip for the band took place in February 2019, when they performed at Folk Alliance International in Montréal. This summer they will perform at many festivals including Glastonbury, Larmer Tree, Warwick, Costa del Folk, and Shambala, whilst recording their debut full band album for release in the winter.
“A natural chemistry… all three voices blend and harmonise beautifully… the mix of styles offers so much promise.” Folk Radio UK
“Very well liked by the punters! A proper hit.” Bev Burton, Cambridge Folk Festival